Pure Data

Piksel18 Buzzocrazy! Workshops in a glance!

PIKSEL18 Buzzocrazy!
22nd – 24th November
Piksel Studio 207
Strandgaten 207
5004 Bergen

WORKSHOPS announcement– Piksel Studio 207 (All in 1 PDF)

PIKSEL18 Buzzocrazy!
The 16th annual Piksel Festival for Electronic Art and Free Technologies

– Wokshops.
– November 22nd-24th, Bergen (NO)
– http://18.piksel.no

Buzzocrazy! The Piksel18 festival slogan points to the new era of “post-truth” based on appeals to emotion rather than policies and facts. Stretching the truth can be seen as just part of a game. The post-truth affects how we make sense of the world around us. That phenomenon has a name — agnotology, the study of culturally induced ignorance or doubt, particularly the publication of inaccurate or misleading scientific data.

Piksel 18 Buzzocrazy! Claims to repair the hive mind. The global consciousness has been manipulated and we have to bring it back again from echo-manipulation to eco-pollinization, we seek the bee drones as the new metaphor to restore the logic ecosystem.

PIKSEL18 – BuzzOcrazy!
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Workshops Programme:

All workshops are free to attend.
To sign up send an email to: prod(at)piksel(dot)no
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OMSynth: DIY electronics and building audio circuits from scratch Workshop by Peter Edwards

23rd Nov
Building: SKUR14
Date: 15:00-18:00

In 2013 Peter presented the early stages of a DIY circuit building interface called the Open Modular Syntehsizer (OMSynth).

In this lecture he will share how the OMSynth has evolved from an idea to a product and how it challenges many of the established norms of DIY electronics practice. Along the way he will also discuss a call for a new standard of DIY circuit design in the post SMT (surface mount electronics) age.

Participants will build an experimental sound circuit from scratch using the OMSynth.

Peter Edwards is an American artist, musician, and teacher. He has been exploring the field of circuit bending and experimental musical electronics since 2000 through his business Casperelectronics. He performs regularly under the same name.

Edwards has performed, taught workshops and spoken on the topic of circuit bending and creative electronics at MIT’s Media Lab, Hasbro Toys, Hampshire College, Skidmore College, New York University, Bloomfield University, Long Beach University, Georgie Southern University and at new media festivals around the world including The Piksel Festival (Bergen, Norway).

Weird Signal Processing – a VGA Hacking Workshop by Wolfgang Spahn
24th Nov
Building: SKUR14
Date: 15:00-18:00

Name June Paik is known for manipulating a TV set with a magnet. One might think that after we abandoned monitor tubes the combination of TV and magnetism is gone as well. But similar techniques are still possible today by manipulating the monitor signal.

The fact that most signals used to connect devices via wires are based on electric current allows for easy hacking. For example one can manipulate the VGA video signal flow with coils and magnetic fields. The signal being similar to sound signals makes for an easy transfer to sound and vice versa. One can make a video signal hearable and display an audio signal on a monitor.

In the workshop we will process VGA signals. We learn the basic about the VGA standard and how to manipulate, mix and sonify the signal, how to amplifier, invert and add fast video signals. Every participant will build a VGA breakout board that allows easy access to the signal.

Please bring your own laptop (with a VGA connection or converter), an Arduino and or your Raspberry Pi if you have some.

Wolfgang Spahn (*1970, Austria) is a visual artist based in Berlin. His work includes interactive installations, videos, projections, and miniature-slide-paintings. After having studied mathematics and sociology in Regensburg and Berlin he founded the screen-printing-studio at Tacheles. He also managed various art projects e.g. Schokoladen Mitte and was one of the artists at Meinblau, Berlin. He currently teaches at the BBK-Berlin, Medienwerkstatt and is associated lecturer at the University of Paderborn, department of art.

International exhibitions (selection): 2000 Biennial of young Art in Genua, Italy, 2003 The Kosovo Art Gallery in Pristina, Kosovo, 2005 Biennial in Prague, Czech Republic, 2008 and 2009 Internationales Klangkunstfest in Berlin, 2009 The Art of the Overhead in Malmö, Sweden, PIXEL09 and 10 in Bergen, Norway, 2010 Biennial Of Miniature Art in Serbia, 2010 Media-Scape in Zagreb, Croatia, Transmediale 2012, Berlin.

PIKSEL BIO LAB 2018 WORKSHOPS

The Umwelt of the Forager: on Bees, pheromones and bacteria by Anne Marie Maes
23rd and 24th Nov
Building: Piksel Studio 207
Date: 15:00-19:00

The workshop -the Umwelt of the Forager- will be studying the bio semiotics of the beehive & its ecosystem. The workshop will be organized as a DYI BioLab: the starting point is the role of pheromones and the important task these signifiers play for the communication in the beehive and for the relation of the bees to their ecosystem.

Participants will be sensing the ecology of the beehive and interpret the emergence of symbols. They will be detecting the granularity of waves formed between bacterial signals and the signs emitted through invisible (bio)technologies. In several hands-on sessions the microbial sphere in and around the beehive will be studied under the microscope. Participants will prepare agar plates to culture bacteria and spores that they collect at the intersection of places, called the Umwelt of the Forager (bee). They will ‘design’ with bacteria and reflect upon shared habitats for bees and other micro-organisms.

Anne Marie Maes is an artist who has been studying the tight interactions and co-evolutions within urban ecosystems. Her research practice combines art and science with a strong interest for DIY technologies and biotechnology. She works with a range of biological, digital and traditional media, including live organisms. Her artistic research is materialized in techno-organic objects that are inspired by factual/fictional stories; in artefacts that are a combination of digital fabrication and craftsmanship; in installations that reflect both the problem and the (possible) solution, in multispecies collaborations, in polymorphic forms and models created by eco-data.

Radio Mycelium & How I Hack Plant Conversations by Martin Howse and Mindaugas Gapševičius
23rd Nov
Building: Piksel Studio 207
Date: 10:00-14:00

Radio Mycelium & How I Hack Plant Conversations
Martin Howse, Mindaugas Gapševičius
Keywords: Installation, tutorial, toolkit, experiments

The project invites us to experience interspecies communication and feedback loops between mycelium networks and their habitats, including other organisms and beings. It also proposes the examination of a new networked imaginary between electrochemical signals, digital data, and electromagnetic waves. The project invites the user to experience plant to plant or plant to fungi interaction by connecting an electronic interface and converting data from electrochemical to digital and back to electrochemical signal. Using allelopathy as a metaphor for plant interaction, the project questions the mechanism of translation of signals, which, through the number of generations are influenced by the information from outside, including its own transmitted information.

The experiments introduced in the tutorial will give an idea of how to grow mycelium, how to make electronic tools and attach them to living organisms, and how to use the tools for audiovisual expression. During the hands on session, we will do four experiments:

– Start growing mycelium on coffee grounds;
– Sense electric potentials in living organisms;
– Assemble and test the mycelial radio transmitter;
– Use built tools and a Pd patch provided for audiovisual expression.

The experiments are facilitated by Mindaugas Gapševičius.

Mindaugas Gapševičius, http://triple-double-u.com/
Martin Howse, http://www.1010.co.uk/org/

Martin Howse is occupied with an artistic investigation of the links between the earth (geophysical phenomena), software and the human psyche (psychogeophysics), proposing a return to animism within a critical misuse of scientific technology.

Mindaugas Gapševičius (b 1974) is an artist, facilitator, and curator living and working in Berlin and Vilnius. He earned his MA at Vilnius Academy of Arts in 1999 and started MPHIL/PhD program at Goldsmiths University in 2010.


PIKSEL KIDZ LAB 2018 EDITION

City GO! DIY Traffic lights of air pollution by Hamilton Mestizo
5th – 7th November – 10:00- 14:00
8th – 9th November – 14:00 -18:00
Building: Piksel Studio 207
To participate send and email to piksel18(at)piksel(dot)no

Do It Yourself Traffic lights of air pollution is an eco-design workshop for kids. Kids will be assembling “air traffic lights” that visualise the pollution in our cities. The goal is to experiment with a sensor which detects levels of Carbon Monoxide (CO) concentrations, the main gas produced by gasoline and diesel cars and go to the city and test them in the urban environment.

The project mixes artistic, environmental and social concerns and adheres to the design principles of open hardware and software: Everyone is invited to learn how the electronics and the code functions in order to be able to modify it.

Hamilton Mestizo (CDMX, Mexico)
Hamilton Mestizo explores the interfaces of arts, science and technology and their critical, ecological, and social-culturall implications. In the last decade, Mestizo has combined his artistic practice with education and research focused on open source hardware development, DIY-DIWO culture, new media and biotechnology.

City TECH! SONORATEC! en kunstlab med nye medier for barn! by Oda Bremnes (Norway), Margarita Ardila (Colombia)
12th – 14th – 10:00- 14:00
15th – 16th November – 14:00 -18:00
Building: Piksel Studio 207
To participate send and email to piksel18(at)piksel(dot)no

Sonorartec is a lab where the kids learn the basics of electronic to produce sound with drawn images, toys with lights, plastic pianos, … recycling everyday materials. What we will do? Build different devices which permit kids to experiment with leds, circuits, sound, graphics, creative writing, and much more.

Oda Bremnes (Norway) is a third year of bachelor’s degree at the Department of Art at the Faculty of Arts, Music and Design, UiB (further Art and Design College in Bergen). She is working on new media. mainly video, installation and electronics.

Margarita Ardila (Colombia)
Margarita Ardila is a Colombian maker, composer and sound researcher. Multidisciplinary artist coordinator and workshop of SONORARTEC LAB, laboratory oriented to the application of new media in the art, design, education.

City TECH! Electrotextile! Customize your clothes or accessories with LEDs! by Pauline Vierne (France)
12th – 14th – 10:00- 14:00
15th – 16th November – 14:00 -18:00
Building: Piksel Studio 207
To participate send and email to piksel18(at)piksel(dot)no

Electrotextile workshop is a practical and theoretical workshop to make, remixi and intervene your accessories and garments through the manufacture of soft and flexible electronic circuits.

The participants will approach to the concept of “wearable technologies” and to the basic notions of electronics. To this end, circuits will be prototyped and creative projects will be developed by mixing textiles and materials capable of conducting electricity.

Kids will learn to make resistances and soft switches with cloth, felt, thread for lighting or sound applications and they can customize your clothes or accessories with LEDs!

Pauline Vierne, France
Pauline Vierne completed an MA in Innovative Textiles at ENSAAMA, Paris, and works as an e-textile researcher at the Design Research Lab, Berlin University of the Arts since 2014. Using experimental design and practice-led processes, her work bridges conductive and unconventional materials using traditional craft techniques to explore new materiality.


PIKSEL17 — We Take EmoCoin! workshops.

PIKSEL17 – We Take EmoCoin!
The 15th annual Piksel Festival for Electronic Art and Free Technologies

– Wokshops
– November 13st-16th, Bergen (NO)
http://17.piksel.no

The 15th edition of the Piksel Festival takes place in Bergen (NO) November 16th- 18th 2017. We Take EmoCoin! The Piksel17 festival slogan points out to the new capital: our emotions. The interest of the human beings can be captured through emotions, and therefore can be monetized.
Emotions has become the new coin. Emotions can be measured, monitorized and monetized in almost real time. Together with our use of social networks, technology is also investing in bio-sensing the body, using small components and microcontrollers we can collect our bio-data.
So, we ourselves with our public online behaviour and our stored bio-signals, visualized and interfaced, create a direct link between emotions and money.

PIKSEL17 – We Take EmoCoin!

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Workshops Programme:

All workshops are free to attend.
To sign up send an email to:prod(at)piksel(dot)no

BioSIGNAL Sensing Workshop by Cristian Delgado
16th Nov
Building: Piksel Studio 207
Date: 14:00-18:00
http://17.piksel.no/?p=72

In this workshop the participants are going to use small components and microcontrolers to make biosignal sensors, to record pulse, muscle and cardiac activity to conect it to instruments and visuals, working with the sense plants response, electromiography and oxygen in blood to control both visuals and audio software with body signals and interaction between bodies.
The result is a colective exhibition made by the participants and the invited artist.

Bergen PD Meeting
16th Nov
Building: Piksel Studio 207
Date: 14:00-16:00
http://17.piksel.no/?p=72

PureData is an open source visual programming language for music and multimedia creation, oftenly used by composers, performers, software designers, researchers and artists to create performances and installations.
This first PD meeting will try to gather the Bergen PD community around regular meetings in order to discuss and learn about PD, what it is, how do we see or use it, but also a place to discuss about electronic music and open-source culture.
The meeting is run by artist and composer Arthur Hureau with the support of Piksel.

From E-waste to Sound Device by Toni Quiroga
17h Nov
Building: Piksel Studio 207
Date: 11:00-18:00
http://17.piksel.no/?p=230

During this workshop you will learn how to turn parts of e-waste and trash into functional primitive sound devices. Through the vivisection of dead media devices you will learn how to extract valuable components (like motors, VU meters, integrated circuits, transistors and other raw materials) and reuse them in order to build a primitive and idiosyncratic instrument. We will build fully recycled electronic gadgets powered through alternative and ecologically sustainable methods integrating our own body residuals into the process (if you want to). The idea is to get a better understanding of new media through the excavation of the old and obsolete by highlighting the nonlinear history within those devices.

The Praxis LIVE – Hybrid Visual IDE for Live Creative Coding by Neil C. Smith
17h Nov
Building: Piksel Studio 207
Date: 14:00-17:00
http://17.piksel.no/?p=69

Praxis LIVE is an innovative and powerful new way to work with OpenJDK and tools like Processing. It is a way to create projections, interactive spaces, custom AV instruments, or live-coding performances.

The workshop will introduce basic project building and patching with Praxis LIVE.
The participants will be able to continue to experiment with visual patching, or learn how to “drop down” to the built-in code editor and live recode components using Processing / Java or OpenGL. They will be able to explore Praxis LIVE’s support for physical computing, including prebuilt integration with TinkerForge open hardware, or GPIO on the Raspberry Pi.
www.praxislive.org |www.neilcsmith.net

A Recipe for Destruction: Secure Hardware Data Erasure by Nikita Mazurov
18h Nov
Building: Piksel Studio 207
Date: 11:00-13:00
http://17.piksel.no/?p=227

This workshop propose the question that how securely delete data nowdays has become an important thing.
Exists a huge number of software solutions which advocate wholesale drive encryption, but software solutions are woefully inadequate for the task. So this piece propose a demonstration of a pragmatic hardware solution: secure device destruction via open source recipes.
Will demonstrate and walk attendees through creating homemade recipes to securely get rid of their devices, whether tablets, laptops, phones, or even desktops.
The ultimate goal of this non-traditional workshop is to illustrate that for our digital data to truly become ‘renewable’ it must be liberated from the prison of the physical form, exorcised from the demon of the hard drive.

Sonified Textiles by Paola Torres Nuñez del Prado
18h Nov
Building: Piksel Studio 207
Date: 14:00-18:00
http://17.piksel.no/?p=78

The Shipibo-Konibo, from the Peruvian rainforest, openly link their traditional singing (Ikaros) to the designs they draw on vessels and their bodies, and the textiles they use as decoration and clothing. They consider that their designs can be sung.

The workshop includes an introduction to various sonification methods, ranging from databending to code, using different open-source softwares (Audacity, Gimp, Hex editor) and programming platforms for mapping sounds on visual data (images and video).
An explanation on how glitch is related to the designs behind the artworks from Paracas Culture from Perú, the Chincheros Textile Masters from Cusco, and the Shipibo-Konibo.

Biotransmissions by Colectivo Electrobiota
18h Nov
Building: Piksel Studio 207
Date: 14:00-18:00
http://17.piksel.no/?p=72

An experiment with electronics and biology seeking to explore different forms of interspecies communication and relationship with nature.
Introduction to biointeractivity and electronics to build our own biosensor that will allow us to make latent the potential voices of the different forms of life that inhabit the rhizosphere.

Vector Synthesis by Derek Holzer
November 27 – November 29
Date: 14:00-20:00
http://17.piksel.no/?p=81

VECTOR SYNTHESIS is an audiovisual, computational art project using sound synthesis and vector graphics display techniques to investigate the direct relationship between sound+image. It draws on the historical work of artists such as Mary Ellen Bute, John Whitney, Nam June Paik, Ben Laposky, and Steina & Woody Vasulka among many others, as well as on ideas of media archaeology and the creative re-use of obsolete technologies. Audio waveforms control the vertical and horizontal movements as well as the brightness of a single beam of light, tracing shapes, points and curves with a direct relationship between sound and image.
http://macumbista.net/?page_id=5000


Press Note PIKSEL16 ZERO Level

Piksel 16, ZERO-Level
elektronisk kunst og fri teknologi
24-27 Nov
Bergen, Norway

PIKSEL16 Festival ZERO-LEVEL, elektronisk kunst og fri teknologi.

An independent look at the Bergen’s marine environment.

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From 24 to 27th of November, artists from a dozen of countries will meet at the PIKSEL International Festival in Bergen. Throughout concerts, installations, performances, workshops and presentations, artists will share different ways to look at our marine environment.

Are the fish we eat “feminized” by pollution? In a post-internet era, how would we create an alternative communication network? How can we collect direct data from our seas and learn to interpret that? Is the boat a new artistic mobility tool? Is it possible to prototype with ZERO-emission?

Biotechnology is no longer just a subject for scientists; experimental artists are also researching biological, biopolitical and bioefficiency issues that affect society as a whole. As conscious citizens, artists raise these questions to the general public through art works, performances and workshops where everyone is invited to participate.

Piksel16, ZERO-level, wants to focus on the biological and social aspects of the sea as a sustainable environment. Zero in the meaning of: zero-emissions, zero-footprints, zero-waste, zero-energy, zero-pollution, zero-plastic, zero-trash. Also Zero encourages bio-efficiency, bio-ecology, marine inheritance, sustainable maritime transport, sea communication, civil society, water as a playground, and civil engagement.

Piksel 16, ZERO-Level is an international festival for electronic art and technological freedom in Bergen. From the 24th to the 27th of November; concerts, AV performances, exhibitions and workshops will take place at BAS, PIKSEL Studio 207, Rom 8 and the Mill. Artists coming from a dozen countries will be presenting DIY bio-art, DIY electronics instruments, visual programming, live coding and FM radio workshops, installations and performances.

web-main

Check out the program at http://16.piksel.no/
Find us in Facebook: https://www.facebook.com/piksel.no/


PIKSEL15 – open Call for Projects:- deadline June 30

Piksel15
November 19-22 2015
Bergen, Norway

open CALL for PROJECTS
For the exhibition and other parts of the program we currently seek projects in the following categories:

1. Installations
Projects to be included in the exhibitions. The works must be realized by
the use of free and open source technologies. For Piksel15 we specially
encourage projects in the field of DIY BIOart and renewable/sustainable
technologies to apply.

2. Audiovisual performance
Live art realized by the use of free software and/or open/DIY hardware.

3. Presentations
Innovative DIY/open hardware and audiovisual software tools or software art
released under a free/open license. (Also includes presentations of artistic
projects realized using free/open technologies.) For Piksel15 we specially
encourage projects in the field of DIY BIOart and renewable/sustainable
technologies to apply.

4. Workshops
Hands on workshops utilizing free software and/or open/DIY hardware for
artistic use. For Piksel15 we specially encourage projects in the field of
DIY BIOart and renewable/sustainable technologies to apply.

5. PikselSavers
Video and software art based on the screensaver format – short audiovisual
(non)narratives made for endless looping. Possible thematic fields includes
but are not limited to: sustainable resource allocation, renewable
technologies, energy harvesting, fair trade hardware, free content, open
access, open data, DIY economy, shared development. The works must be
realized by the use of free/open source technologies. –

piksel15_call_200

!!!!!!!!!! Deadline – June 30. 2015 !!!!!!!!!!
Please use the online submit form at: http://piksel.no/ocs or send documentation material – preferably as a URL to online documentation with images/video to piksel15 (AT) piksel.no


Piksel15 is supported by the Municipality of Bergen, Arts Council Norway,
PNEK and others.

more info: www.piksel.no


Pure Data Synthesizer OPEN workshop

Servando Barreiro

In this workshop, among other more advanced things, the attendants are going to learn the basic building blocks of a classic synth.

barreiro1
Concretely we are going to study and hack a clone of the beautiful and simple ¨moog werkstatt¨ synth which is an experimental limited edition synth. As it´s name indicates, this is a perfect synth to hack, improve, modify and also to learn about basic ¨clean¨ analogue subtractive synthesis.

To register send an email to: piksel14(at)piksel(dot)no
More info: http://14.piksel.no/2014/10/26/pure-data-synthesizer-workshop


Piksel09 program: 22. NOV 2009

PIKSEL09 SUNDAY PROGRAM

Join in on the last day of Piksel09, with program of workshops and presentations: Learn about the Piksel Software of the Year, APODIO, see how a hemispheral multi touch display can be the future interface for art installations, and get the basics of Open ComputerVision. Participate in two hardware workshops where you learn how to build a light-controlled theremins and how to steer VGA signals.
We end the evening at Nøsteboden with an engaging line-up featuring concerts and audiovisual performances: Experience a drone synth concert with Peter Edwards and workshop participants, and watch NOISE battling PUNK!

SOFTWARE WORKSHOP | Stenersen Aud./Bergen Kunstmuseum
11:00-13:00

¤ Enhancing Pure Data Interactivity with Computer Vision (Open CV)

HARDWARE WORKSHOPS | Nøstegaten 42
12:00-18:00

¤ Building simple analogue light-controlled theremins
¤ VGA Signals: an introduction

PRESENTATIONS | Stenersen aud./Bergen Kunstmuseum
14:00-17:00

¤ _oneliner: presentation (Resheduled to be held at Nøstegaten 42 at 12:00)
¤ Respirator presentation
¤ Py-Cessing
¤ APODIO : A GNU/LINUX MULTIMEDIA DISTRIBUTION FOR EVERYONE! (Piksel software of the year)
¤ Multitouch 360

LIVE EVENTS | NøsteBoden
21:00-01:00

¤ The DIY drone synthesizer concert
¤ Souffles I
¤ [i/o]
¤ TheNoiser vs Zero Point Energy


Report from the OpenCV workshop at BALTAN Laboratories

orange1_640

Report by Yves Degoyon, workshop leader (along with Lluis Gomez i Bigorda), OpenCV workshop at BALTAN Laboratories, September 21-27, 2009 (continue reading…)


Pure Data FLOSS Manual Book Sprint 4-6 April 2009 in NYC and Berlin

FLOSS Manuals is proud to announce a three day book sprint for the Pure Data FLOSS Manual. This sprint will take place simultaneously in New York City and Berlin from Saturday 4 April to Monday 6 April.

The Pure Data FLOSS Manual:
http://en.flossmanuals.net/puredata

There are possibilities to participate in person by coming to one of the locations below, or remotely via the IRC interface built into the FLOSS Manuals editing interface. Video conferencing may take place between the
venues as well.

To participate, create a login at the PD FLOSS Manuals page:
http://en.flossmanuals.net/bin/login/TWiki/WebHome?origurl=/bin/view/PureData/Introduction&skin=floss2

Discussion may also take place in the Pure Data mailing list:
http://lists.puredata.info/listinfo/pd-list

(continue reading…)


Programming electronic music in Pd

New book by Johannes Kreidler now available online.

Abstract
Pd was initiated by American software engineer Miller Puckette, who previous co-developed the well known and similarly structured software Max/Msp. Pd is not commercial software; i.e., it was not developed by a corporation and is not for sale. Instead, it is “open source”: its source code is not the (patented) property of a corporation, but is rather freely available to all. One drawback to this is that a detailed operating manual for users who lack programming experience has not existed until now. In contrast to a corporation— which has a monetary interest in ensuring that first-time users can easily operate new software—the open source movement lacks such a driving force to make itself accessible. This book is an attempt to fill that gap.

This tutorial is designed for self-study, principally for composers. It begins with explanations of basic programming and acoustic principles then gradually builds up to the most advanced electronic music processing techniques. The book’s teaching approach is focused primarily on hearing, which we consider a faster and more enjoyable way to absorb new concepts than through abstract formulas.

The patches described are available for download.


  • 7 hours ago

    Piksel
    For the first time, the Critical Engineering Working Group are opening their workshops to the online realm. It is a unique opportunity to join Danja Vasiliev and Sarah Grant this Friday and Saturday for the hands-on workshop using Hotglue. On the 10th and 11th of December Bengt Sjölén and Danja Vasiliev will work together again to lead the workshop Selfhosted. Join us sending an email to piksel21(at)piksel(dot)noWeb-pages made with HOTGLUE never look the same - each page is a new creation of its author.Hotglue by Critical Engineering Working Group / Danja Vasiliev and Sarah Grant3-4 December 2021 – 15:00-17:00 hours.piksel.no/2021/05/19/hotglueBuilding websites using Hotglue is fun – and a great, hands-on way to learn about visual design, markup language and hyper-links that power the web. But to do so, one – more so than ever – needs proficiency in the language of the web (HTML, CSS and JavaScript) in order to participate.Hotglue is a FOSS “What you see is what you get” editor for the web. At the workshop a free-to-use grass-roots service Hotglue.me will be used to allow quick hosting of webpages.HOTGLUE Content Manipulation System is a unique tool for DIY web-design and Internet samizdat. System design is based on several fundamental rules primarily aimed at preserving visual homogeneity between editing and viewing modes. This structural transparency of HOTGLUE UI permits its users to disregard any separation of Content and Design and /ultimately/ to remove Design as such from their creative practice.Danja Vasiliev and Gottfried Haider believe that modern web-users shall be given an easy yet powerful, online (in-browser) authoring tool for making exciting, personally distinct and otherwise odd web-pages. Page contents suddenly become something more then only text blocks and images; user begins to construct web-pages as multi-layered collages where textual is visual and vice versa. Web-pages made with HOTGLUE never look the same - each page is a new creation of its author. ... See MoreSee Less
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    12 hours ago

    Piksel
    Did you know that you can still visit the Critical Engineering Working Group Exhibition `Decoding Black Magic; Interventions in Infrastructure´ at Kulturhuset 2, C Sunds Gate, every day 13-18h (apart from Mondays)?We will also allow private visits at other times with selected appointments. Let us know when is a good time for you to visit, and the bogeyman will be here waiting for you.Email for more detailspiksel21(@)piksel(.)no ... See MoreSee Less
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    12 hours ago

    Piksel
    3-4 December 2021 – 15:00-17:00 hours.Web-pages made with HOTGLUE never look the same - each page is a new creation of its author.JOIN us at the HOTGLUE workshop by Danja Vasiliev and Sarah Grant this Friday and Saturday! We will learn to build decentralized websites using Hotglue. It is fun - and a great, hands-on way to learn about the otherwise hidden structures and exchanges that power the web. HOTGLUE developers believe that modern web-users shall be given an easy yet powerful, online (in-browser) authoring tool for making exciting, personally distinct, and otherwise odd web-pages. Page contents suddenly become something more than only text blocks and images; user begins to construct web-pages as multi-layered collages where textual is visual and vice versa. Web-pages made with HOTGLUE never look the same - each page is a new creation of its author.To attend send us an email to piksel21(at)piksel.no. The workshop will be online through a BBB video chat. We will send the information on how to connect. ... See MoreSee Less
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    1 day ago

    Piksel
    “Samizdat: I write it myself, edit it myself, censor it myself, publish it myself, distribute it myself, and spend time in prison for it myself”, Vladimir BukovskyThe term ‘samizda’ was coined as a word game by the Russian poet Nikolai Glazkov in the 1940’s. He included the note ‘samsebiaizdat’ (self-published) in the copies he types of his poems. HTML SAMIZDAT is a web creation proposal made directly from the browser, collective, open and instantly visible. Using the web as a support and canvas, it is proposed to create a joint site, a samizdat, through the appropriation of html code and multimedia objects. To do this, we will use the Hotglue tool, developed by Gottfried Haider and Danja Vasiliev, and worm.org.You only need a computer with Firefox browser installed to participate. Programming and code skills are not required.To attend send us an email to piksel21(at)piksel.no. The workshop will be online through a BBB video chat. We will send the information on how to connect. ... See MoreSee Less
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