PIKSEL

[1] SOMMERCAMPWORKSTATION 2009 – laboratory for art and media Berlin
[2] SOMMERCAMP – workshop series
[3] NEWSLETTER

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[1] SOMMERCAMPWORKSTATION 2009 – laboratory for art and media Berlin

sommercamp+workstation=2009 is meant as a practical example of the feasibility of a “laboratory for art and media in Berlin” carrying on the idea of TESLA – medialab. The starting point of the four-month project is the sommercamp from 10 to 16 August – a module to work and generate ideas, with ten open workshops and two days of final presentations on 15/16 August 2009 at the House of World Culture and a kick-off on 14 August 2009 at the radialsystem. The second part of the project is the workstation – intended as project production support – with four three-month project residencies and a curatorial grant that are produced in close collaboration with local and international partners. A discursive weekend will take place from 13 to 15 November 2009 with the invited artists/projects and experts from science and technology at Berlin based general public, in collaboration with DISK/ctm. Please have a look at our website: http://www.sommercampworkstation.de/ (continue reading…)

Area10 welcomes BEYOND SIGNAL #4

organised by A10lab, Fibrr Records, Noise=Noise & Apo33

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LONDON NOISE SONIFICATION!!!!!!!!
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14TH OF MAY – 7.30pm – £5

Noise, harsh digital glitch, body performance, diy punk electronics,
hack live decoding,free software…

!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Beyond Signal is a regular experimental A/V performance evenings,
began in July 2008 and brings together some of the most exciting and
novel performances in sound and vision.
!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
(continue reading…)

New book by Johannes Kreidler now available online.

Abstract
Pd was initiated by American software engineer Miller Puckette, who previous co-developed the well known and similarly structured software Max/Msp. Pd is not commercial software; i.e., it was not developed by a corporation and is not for sale. Instead, it is “open source”: its source code is not the (patented) property of a corporation, but is rather freely available to all. One drawback to this is that a detailed operating manual for users who lack programming experience has not existed until now. In contrast to a corporation— which has a monetary interest in ensuring that first-time users can easily operate new software—the open source movement lacks such a driving force to make itself accessible. This book is an attempt to fill that gap.

This tutorial is designed for self-study, principally for composers. It begins with explanations of basic programming and acoustic principles then gradually builds up to the most advanced electronic music processing techniques. The book’s teaching approach is focused primarily on hearing, which we consider a faster and more enjoyable way to absorb new concepts than through abstract formulas.

The patches described are available for download.