workshop

Hackteria & Bad Lab

Hackteria / BadLAB
with the collaboration of Kiyoshi Yamamoto.

Engineering is also affecting to molecular biology, posing new ethical challenges that artists investigate through DIY bioart methods. International DIY bio networks and communities encourage the collaboration of scientists, hackers and artists to combine their expertise. Piksel is inviting the main artistic DIY bionetworks worldwide, to establish a collaborative interaction with local artists. Piksel Fest Spill invites the audience for interesting interactions through a DIY or die – Plant Printing Workshop and the Worship – Dinner Performance.

11th of June Worship – Dinner Performance
HackteriaLab & QWAS | Migrating Dialogue
The Performance is based on an exchange of food, gesture, rhythm and sensuality threw online meeting tool like zoom, jitsi, skype, etc. It is a tangible stretch towards how sensuality is perceived in the digital realm threw media.

Worship is a dinner performance created by Maya Minder in collaboration with Almaty based artists Dana Iskakova and Takhir Yakyharov. The Performance is based on an exchange of food, gesture, rhythm and sensuality threw online meeting tool like zoom, jitsi, skype, etc. It is a tangible stretch towards how sensuality is perceived in the digital realm threw media. Elements of #asrm (autonomous sensory meridian response) the tickling sounds of whisper or crumbling paper, walking on snow or stroking hair combined with the elements of new media trend of #mukbang (Korean word for food space) the eating in front of audience recorded with detailed sounds, is probed and performed during an mutual dinner happening. The audience is invited to partake or just to relaxe and concentrate on chatter and talk during the food. People are served with umami rich food, so to give a physical layer of sensual perception emphasized threw food and audio-visual experience.

13th of June Workshop DIY or die – Plant Printing
HackteriaLab & BadLab & Kiyoshi Yamamoto.
You can attend physically at Studio 207 in Bergen or online. Inscription is necessary. We will send you the instructions on equipment and materials you need to follow it online and how to join us.
To attend please send us an email to: info(at)piksel(dot)no
At the Studio only 5 persons.

DIY or DIE Is an transdisciplinary workshop on the topic of coloring fabrics with wild herbs. The toxic impact of the textile industry is the starting point of this workshop. Together we will learn the old technique of dyeing with natural dyes that we find in our neighborhood. The Workshop will be held mutually in Bergen, NW and Zurich, CH under the guidance of a local assistant and threw a virtual meeting with the BadLab project based in Zurich and working at the Theater house Gessneralle during the Naked Transition Project. We will dye fabrics of silk and cotton ourselves, go foraging for wild herbs and work with poisonous substances in small quantities – poisonousness is always a question of dose (Paracelsus) – investigating the toxic side effects of the textile industry.

This workshop is a lot about the playful approach of learning and unlearning, we will follow the art of dyeing by means of DIYbio methods and old knowledge about plant dye and natural coloring. We use plants to dye fabrics and create unpredictable design and patterns. In the framework of the theme of the exhibition „naked transition the aspect of empowerment by DIY and community based work is celebrated threw the moment of liberation – Just do it and Do it with Others. Embroidery hoops stand as a symbol of the time we save, which we take as free time by growing beyond the collective stick tradition of manual work, no longer embroidering the fabric with rules and slogans, but use nature itself, its signs leaves to create traces of stories.

Participants: Paloma Ayala, Lisa Biedlingmaier, Lucile Haute, Anne-Laure Franchette, Corinna Mattner, Maya Minder, Les Plants Sorcière.

Hackteria is a global network active since 2009 of people practicing DIY (do-it-yourself) and DIWO (do-it-with-others) biology, with a focus on art, design and interdisciplinary cooperation. Its goal is to allow artists, scientists, cooks, farmers, philosophers and hackers to collaborate and test various biohacking and bioart techniques, outside conventional settings such as academic laboratories and art institutions. http://hackteria.org

BAD LAB project is a collective laboratory of interdisciplinary ideas and practices around plants. BAD LAB deals with the politics of the invisible, plant migration, the resurgence of oppressed and marginalized feminine knowledge, the creation of solidarious ways in which to narrate space that include rural, indigenous beings, and biota, digging up lost and old recipes around healing and culinary, healthcare and colloquial practices.

QWAS – Migrating Dialogue
The project QWAS – Migrating Dialogue is a transcultural collaboration between the Zurich University of Arts (ZHdK) and the Eurasian Cultural Alliance (ECA) in Almaty, Kazakhstan.The project was launched in 2017 and has so far encompassed two student exchange programmes (for which participants travelled from Zurich to Almaty by train) and two e-learning seminars; with exhibitions taking place simultaneously in both cities.

QWAS was created by Rada Leu and Peter Tränkle. The project is kindly supported by the framework of the International Hub Arts for Change – Arts and Design in Social Processes of ZHdK. https://www.qwas.ch/

Participating artists from HackteriaLab 2020 in Bergen:

Maya Minder (CH/KR) *1983
Artist, Fermentista and Organizer. Lives and works in Zurich. Several exhibitions in local and global spheres. Pro Helvetia, Werkbeitrag 2018, nominated for the KADIST AWARD 2017, Part of the Klöntal Triennale 2017. Several grants and support from Migros Kulturprozent, Pro Helvetia and Gerbert Rüf Stiftung for projects she co-curated. She studied art history at the University of Zurich and helds a MA Fine Arts Degree from the Zurich University of Arts.
Founder of Gasthaus: Fermentation & Bacteria
Active member of the Hackteria – Open Source Biological Art Network https://www.hackteria.org/
Member of Gesellschaft für Mikrobiomik.org https://mikrobiomik.org

Piksel Fest Spill is supported by the Municipality of Bergen, Arts Council Norway and PROHELVETIA.

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Piksel Fest Spill 2020

22nd May – 21th June | @Studio207 | @Piksel Cyber Salon
Opening hours (Monday closed): 14:00 – 18:00 | Weekends: 13:00 – 18:00
PROGRAM | Copy/Paste Exhibition | Hackteria / Bad Lab / Kiyoshi Yamamoto

The exhibition COPY/PASTE features the work of nine artists and art collectives who all incorporate copying as a core aspect of their work. Taking the form of a physical exhibition at Piksel Studio 207, an online exhibition at Piksel Cyber Salon, two hybrid workshops and a lecture, the exhibition aims to show that copying is natural, an exhibition to re-think the way we create/share/copy and paste.

Along with the exhibition, Piksel is also presenting a DIY bio art program, the “DIY or die – Plant Printing Workshop” on the topic of coloring fabrics with wild herbs and the toxic impact of the textile industry. The “Worship – Dinner Performance” joins performers from Zurich, Kazakhstan and Bergen. It is based on an exchange of food, gesture, rhythm and sensuality threw to an online meeting tool like zoom, jitsi, skype, etc. It is a tangible stretch towards how sensuality is perceived in the digital realm threw media. Due to the travel restrictions brought by COVID-19, these two events will take part at Piksel Spill Fest remotely, from the virtual space, , with base in Gessnerallee Zurich.

Piksel Fest Spill is also premiering the Piksel Cyber Salon, a 3D virtual space where the audience can enjoy a Cyber experience through the virtual activities. Piksel Cyber Salon intends to bring a new realms to the boring but necessary digital tele-presence. Designed by the Mexican artist Malitzin Cortés, Piksel Cyber Salon will be the Piksel Fest Spill neuralgic hub.

Live coding is a performance practice that revolves around the creation and modification of code and algorithms in real-time. This kind of events are also named ALGORAVE, joining the words algorithm and rave. The 29th of May we welcome the artists Antonio Roberts and Alex McLean and their live audiovisual performance, taking place in parallel at the Studio 207 and the Cyber Salon.

COPY/PASTE featured artists: Carol Breen (IR), Constant (BE), LoVid (US), Lorna Mills (CA), Matthew Plummer-Fernandez + Julien Deswaef, Duncan Poulton (UK), Eric Schrijver (NL), Peter Sunde (FI)

Hackteria / BadLAB members: Maya Minder, Anne-Laure Franchette and Corinnna Mattner, Zurich. QWAS artists: Dana Iskakova and Takhir Yakyharov, Kazakhstan and with the collaboration of Kiyoshi Yamamoto, Bergen.

PRESS info: maite@piksel.no gif@piksel.no
PRESS Note + images:

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PIKSEL e/co,li:b-re.bel PIKSEL VENUES PROGRAM AV Concerts Exhibition PikselSavers Talks Workshops Projects PROGRAM

PIKSEL e/co,li:b-re.bel PROGRAM Download the PDF

PROGRAM

Thursday 21st Nov

16:00 – 18:00 AV performance – Piksel Music Pavilion

18:00 – 20:00Installation and Piksel DJ’s – Piksel Hut // Utestuen i Skostredet

20:00 – 24:00Exhibition Opening – S59 + Piksel Studio 207

Friday 22nd Nov

11:00 – 17:00 – Exhibition – S59 and Piksel Studio 207

11:00 – 13:00 – Workshop EXCERPT video manipulation software Gregoire Rousseau, Piksel Studio 207

11:00 – 13:00- Workshop Environmental / Biological sensing using Arduino and other open source approaches, Cy Keener, Piksel Studio 207

15:00 – 17:00 – Workshop Sounding Feet by Instituto Stocos: Pablo Palacio, Daniel Bisig, Muriel Romero, Piksel Studio 207

15:00 – 17:00 – Installation and Piksel DJ’s + Special guest – Piksel Hut // Utestuen i Skostredet

16:00 – 17:00 – Lecture Post-news journalism: Art meets journalism talk, Hossein Derakhshan, Bergen Public Library

19:00 – 21:00 – Installation and Piksel DJ’s – Piksel Hut // Utestuen i Skostredet

21:00 – 03:00 – AV Performances – Østre
Invisible Ecologies, Gabriela Munguía (MX)
Jana Jan vs. čirnŭ (NO/ES)
ALOES: The Road, Alex van Giersbergen, Marloes van Son (NL/FI)
Juan Antonio Nieto (ES)
Limit of the Off-limit, Nnja Riot, Lisa McKendrick (UK/NZ)

Saturday 23rd Nov

11:00 – 17:00 – Exhibition – S59 and Piksel Studio 207

11:00 – 13:00 – Workshop Invisible Ecologies Lab: wind instruments, Gabriela Munguía (MX), Piksel Studio 207

11:00 – 13:00 – Workshop Mapping Smart Futures, Andreas Zingerle, Davide Bevilacqua, Linda Kronman, Piksel Studio 207

15:00 – 17:00Installation and Piksel DJ’s + Special guest – Piksel Hut // Utestuen i Skostredet

19:00 – 21:00 Installation and Piksel DJ’s – Piksel Hut // Utestuen i Skostredet

21:00 to 03:00 – AV Performances – Østre
OECUMENE, Pablo Palacios, Muriel Romero, Daniel Bisig (ES) Crystal Moss Core Force, Noish (ES)
Jukka Hautamäki (FI)
Transduction, Matt Spendlove (UK)
Agnes Pe (ES) + Aleksandar Bradic (US)

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Piksel is supported by the Municipality of Bergen, Arts Council Norway, Hordaland Kommune, Community of Madrid, Austrian Embassy, Acción Cultural Española, Inaem, Pro Helvetia and BEK.

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Urinotron, Bio-kunst Workshop | Friday 15th – Sunday 17th of November

Urinotron is a large-scale installation that takes our organic waste (urine!) and transforms it into power. Contribute your urine and then put your feet up as the salts in your liquid gold turn into sustainable pee power. Urinotron combines scientific equipment, engineering skills, reels of electronic wires in an artistic equivalent of an alchemist’s workshop will be producing a different kind of gold.

Friday 15th – Sunday 17th November

  • Urinotron, Sandra and Gaspard Bébié-Valérian(FR)
    Friday 15:00 – 19:00
    Saturday 12:00 – 19:00 – with a break
    Sunday 12:00 – 14:00

The project is declined according to the contexts it is hosted. For Piksel festival, a unic workshop will be organized to build a new version of the Urinotron, collectively made and opened to improvements or inventive skills. As energy is one of the most important stakes of our society, working together around the Urinotron will offer the opportunity to think about other energetic models and why we are flushing such a valuable resource.

The general shape of the Urinotron crosses the aesthetics of alchemy, the assembly of heterogeneous elements such as glass, steel, copper, carbon, aluminium, coal and constitutes a clandestine laboratory within which are assembled tanks, electrodes, batteries, cables. This great whole can be likened to a giant microbial battery, functional and whose objective is not so much to reproduce or improve existing research in laboratories on this subject but rather, through a symbolic and artistic bias, to develop a setting criticism of the technique to test the limits and create, then, a material judgment on the industrial and capitalist context about bioenergies.

The challenges associated with the energy transition engage us to rethink our uses, our consumption patterns and industrialization in our societies. From household appliances to transportation, from the management of public lighting to the optimization of web pages (a google search would be equivalent to a boiling water pot), each gesture is the object of the calculation of its carbon footprint and its cost energy. The hyper-industrialization and the abstract nature of pollution and global warming (micro-particles, gases, spatials and elusive temporalities on an individual scale) produce a shift, a decoupling between the production of energy and its use. The growing intermediation of these circuits plays a role in the loss of consciousness of each person’s place. Yet as basic, unlimited and easily adaptable resources, renewable energies open up a resilient economic model.

The intention of this project, symbolic and concrete, points the balance of power between a dominant, centralized electricity production and a microelectricity produced by each one of us, recyclable, reusable aand sustainable. This form of resistance to this economy in tension can be found outside, also, of the exhibition context, and makes it possible to think the project with a nesting in the public space within which the installation would maintain its specificity but would be connected to common uses, useful and to rethink the public space and its uses.


Piksel19 is supported by the Municipality of Bergen, Arts Council Norway, Hordaland Kommune, Community of Madrid, Austrian Embassy, Acción Cultural Española, Inaem, Pro Helvetia and BEK.

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Workshops announcement. Piksel19 – e/co,li:b-re.bel

Piksel19 is proud to present the workshops from the 17th festival edition. Download Workshops PDF program Ranging from bioart workshops which target environmental and ecological issues, the smart city technotopias and video manipulation software created for and by artists, all mixed with DIY electronics and, artistic approaches.
Send us an email if you want to attend to piksel19(at)piksel(dot)no with the name of the workshop.

“Urinotron” is an installation that can produce electricity at a local or even micro-local level, from an organic waste, familiar but intimate, the urine. The workshop shows how to build up an Urinotron from scratch.

Cy Keener travelled to the Arctic to deploy RGB light and temperature sensors through sea ice, he is using these open source electronics and data at his installation Digital Ice Core. At his workshop he will train the participants on every DIY sensor that he uses to do this project.

Mapping Smart Futures the smart city technotopias focusing in South Korea and its smart cities as a case study. In the workshop attendants will unpack the omnipresence of technology in the ‘green’, sustainable, and clean cities and by applying Open Source Intelligence tools, citizen forensics and grassroot journalism we want to look at the current state of internet infrastructure in Scandinavia, with a special focus on Norway.

Invisible Ecologies Lab: wind instruments. The Wind Instruments Lab proposes to construct different environmental sensors and explore different sound processes for environmental and meteorological analog data to form a WindSynthLoop, a wind interactive electronic music instrument.

EXCERPT video manipulation software. Visual artists need to screen videos of high quality in many different contexts: from clean video work presentation, single channel video in gallery, a series of video for musical support, audiovisual performance with real time video handling, use of pre-recorded material and real time generated images. Excerpt can do all that.

The workshop Sounding Feet explores how small postural changes of a dancer can be used to control music. From an artistic point of view, this interactive relationship links the musical outcome of interaction to the proprioceptive awareness of a dancer and it exposes to an audience through the auditory modality a dancer’s minute movements that might be visually hidden. The project follows an approach that combines musical ideation, dance improvisation, interaction design, and engineering. Through this combination the development and design decisions (e.g. the characteristics, number and position of force resistive sensors) can be informed by artistic criteria.


Piksel19 is supported by the Municipality of Bergen, Arts Council Norway, Hordaland County, Community of Madrid, Austrian Embassy, Acción Cultural Española, Inaem, Pro Helvetia and BEK.

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Live Coding, Interfacing Csound with clojure, python, nodejs or the web-browser; workshop on live-coding and embed-able music systems by Hlöðver Sigurðsson (IS)

31st of May Workshops @Piksel Studio 207 from 14:00 – 18:00

To sign up send and email to piksel19(at)piksel(dot)no with the subject Live Coding Music

This workshop is an introduction to real-time music creation with emphasis on Csound and Supercollider to a lesser extend. Csound has the ability to run everywhere and on every platform (eg. android, raspberry-pi, Bela, iOS or web-browser) and is relatively easy to learn compared to other computer music languages. I will introduce my own live-coding system Panaeolus as well as other live coding platforms which I have used. Participants will create their own web-based instrument or web-based installation (webstallation), which will be hosted online.

Hlöðver Sigurðsson (IS) is a computer musician and composer from Reykjavik. His performances has been seen at the Spektrum (berlín), Piksel Festival (Bergen) and Sonic Code Sessions Showcase, part of vorspiel of Transmediale 2017.

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Expirator and Touching sound, performance and workshop by Pierre Berthet (BE)

26th of May Performance @Piksel Studio 207 – At 20:00

Expirator (reversed vacuum cleaner) by Pierre Berthet (BE)

27th of May Workshop @Piksel Studio 207 from 14:00 – 18:00

Touching Sound by Pierre Berthet (BE)

To sign for this workshop write an email to piksel19(at)piksel(dot)no

WORKSHOP

Touching Sound, a workshop by Pierre Berthet (BE)

Listen what we touch

touch what sounds

sounds knead ears

ears catch time

Ingredients:

tin cans, water, steel wires, bamboo, plastic bags, tubes, dead plants, D.C. motors, sea shells, snail shells, stones, buckets, filter queen, hooks and gloves, balloons, straws, bottles…

Things own time are objects

they own space, they own time.

We walk with sounds in our hands

on our head

in our mouth, moving tongues while singing

moving lips while blowing

blow blow blow

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SIGNAL TO NOISE, Curator: Tincuta Heinzel Exhibition program 2019 Piksel Studio 207

Official opening 24th of May from 19:00 – 23:00

Exhibition dates: 25th of May – 16th of June (Mondays closed)

Opening hours: 15:00 – 18:00

Bergen 2019

“I remembers the radio broadcasts from London during World War II and Norway’s king stiffening the resolve of his subjects under German occupation. ”
Judith Haaland, 98

The Paraset (Paratrooper radio set) was one of the most notorious of all the transceivers used by the partisan clandestine radio operators during WWII. Often transported in food baskets, suitcases, and other obscure places, it was used for clandestine radio communication primarily in Norway and Europe. The equipment is known as the “Paraset” because it was dropped by parachute for field agents. A fascinating piece of history.

With this exhibition Piksel wants to make an homage to the radio as a device and also to the importance of the listeners. In a historical moment where the FM analogue radio has been shot down and there are voices that claims that “Norway is not prepared for this.” and “Of course there is a lot of nostalgia in radio. That’s one of the reasons this switch is so controversial.” Piksel wants to bring some fresh air doing both, recalling the analogue radio and bringing new low-cost digital technologies to the people, radio-makers and emitters.

SIGNAL TO NOISE
One of the well known examples of Victor Papanek’s “designs for the real world” is that of a radio receiver for the third world. Produced from very simple, “cottage” like materials, such as an used juice can, paraffin wax and a wick as power source, the radio was non-directional, receiving any and all stations simultaneously. “But, as Victor Papanek will comment, in emerging countries, this was then of an importance: there was only one broadcast (carried by relay towers placed about fifty miles apart”. And, as Papanek continues, “It was much more than a clever little gadget, constituting a fundamental communication device for preliterate areas of the world. After being tested successfully in the mountains of North Carolina (an area where only one broadcast is easily received), the device was demonstrated to the Army. They were shocked. “What if a Communist”, they asked, “gets to the microphone?” The question is meaningless. The most important intervention is to make information of all kinds freely accessible to people.”

This story of the non‐expensive, locally adapted produced radio receiver is the starting point for an exhibition and a workshop which deals with different aspects of radio broadcasting: From the way a radio receiver and a radio transmitter are produced to radio infrastructure, and from the delivered information to the means of questioning its accuracy and validity. The exhibition will consider a historical perspective, but will mostly bring into discussion researches related to the present forms of radio infrastructure and radio phenomena, as well as strategies and tactics of radio‐based interventions.

List of works and artists:
Repertories of (in)discreetness
Tincuta Heinzel & Lasse Scherffig

∏‐Node Platform

Embodied RF Ecologies
Afroditi Psarra

Workshop
Do your own radio!
∏-box : streaming and local FM radio broadcasting with a raspberry pi
∏‐Node

Piksel Fest Spill is supported by the Municipality of Bergen, Arts Council Norway, the Wallonie-Bruxelles International and Rumanska Kultur Institutet.

Repertories of (in)discreetness
Tincuta Heinzel & Lasse Scherffig

Largely used during the Soviet Revolution, the “new” communication mediums of the beginning of 20th century’s played an important role in the Soviets’s propaganda strategy during the 1917‐1918 revolution [3]. The same strategy was equally adopted during the installation of the communist regimes in Eastern Europe. The policies at the time have encouraged the production and the acquisition of radio devices by a large number in order to ensure the impact of the propaganda, while in the same time, the content of the broadcasting was subjected to a strict control.

Using this infrastructure, the USA and their Western alliances were trying to counter the communist propaganda. The creation of Radio Free Europe aimed to deliver “truth” and “objective” information. In the same way, radio phenomena (like interference) were used as technical interventions.

Repertories of (in)discreetness project has its starting point in the archives of Radio Free Europe from the Open Society Archives in Budapest. It questions the act and mechanisms of archiving “the Other”, with a focus on the European “East”. The project discusses the ways in which information is collected and transferred, the ways in which the East has gained an epistemic body through refraction. Thus we would like to point out the relation between nature of the information, the production of knowledge and its reception.

Radio Free Europe is considered unique in the annals of international broadcasting: acting as surrogate domestic broadcaster for the nations under Communism. It also relied on local official media and informal news in order to broadcast what was considered objective information. Due to their wish to outline an exhaustive portrait of the world behind the Iron Curtain, Radio Free Europe Archives give way to a series of questions:

What did the archives not capture and what rests uncatalogued and unverified? And, if something was indeed captured, how was it transformed through archiving? What parts of this composite portrait sketched by Radio Free Europe still survive today? And is this portrait only a mirror image resulting from the media war between East and West? By raising these questions, our project looks to divert and to put into a sensible perspective the act of collecting, organizing and using information, in order to question the nature of the information itself.

Documentation link: http://ro.tranzit.org/en/exhibition/0/2015-03-18/repertories-of-indiscreetness References: 3. Nicholas Reeves, The Power of Film Propaganda: Myth or Reality (London: A&C Black, 2004).

∏‐Node Platform

Fig 5. ∏-Node Installation, Orleans (2015).

∏-Node is an experimental platform for hybrid Web/FM radio-phonic composition. As a multi‐dimensional radio infrastructure platform, ∏-Node explores the narrative, involves participation, and imaginary possibilities of radio through the use of both historic and new, digital technologies.

∏-Node aims to explore the many dimensions of radio’s format and diffusion: its physicality (ether, radio waves, and the electromagnetic spectrum), its spatiality (bandwith, frequencies), its infrastructure (network of radio receivers/emitters), its methods of creation and editorial content management (programming boards/teams, recording studios), its methods of metadata reception (RDS/SDR), its history (radios libres and pirate radio movements), its legislation. Most importantly, ∏-Node also wishes to examine radio’s future at a time when everything is moved towards “the digital”.
The interconnectedness of these various dimensions, tools, and networks allow for the establishment of a decentralized and hitherto unseen diffusion structure, where each of the network’s nodes serve to both receive and diffuse information. Such a structure creates a break with the classic one-way radio format, substituting it with a horizontal peer‐to-peer model that creates room to play with new potentials for multi‐ diffusion and superposition, as well as room to rethink the radio network’s topology.

Embodied RF Ecologies
Afroditi Psarra

E-textile installation and sound performance

Following my quest to embody the invisible transmissions that surround us, in this wearable I explore the use of an IC mixer circuit to down convert the emissions from the NOAA weather satellite and make them audible. By continuing my research into textile antennas and fractal geometry as a means to detect radio-frequency (RF) transmissions, I aim to speculate about the body as an agent of power in a post-capitalist world, and to re-interpret transmission technologies through handmade crafting techniques.

Teaser video here: https://vimeo.com/326116349

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Piksel18 Buzzocrazy! Workshops in a glance!

PIKSEL18 Buzzocrazy!
22nd – 24th November
Piksel Studio 207
Strandgaten 207
5004 Bergen

WORKSHOPS announcement– Piksel Studio 207 (All in 1 PDF)

PIKSEL18 Buzzocrazy!
The 16th annual Piksel Festival for Electronic Art and Free Technologies

– Wokshops.
– November 22nd-24th, Bergen (NO)
– http://18.piksel.no

Buzzocrazy! The Piksel18 festival slogan points to the new era of “post-truth” based on appeals to emotion rather than policies and facts. Stretching the truth can be seen as just part of a game. The post-truth affects how we make sense of the world around us. That phenomenon has a name — agnotology, the study of culturally induced ignorance or doubt, particularly the publication of inaccurate or misleading scientific data.

Piksel 18 Buzzocrazy! Claims to repair the hive mind. The global consciousness has been manipulated and we have to bring it back again from echo-manipulation to eco-pollinization, we seek the bee drones as the new metaphor to restore the logic ecosystem.

PIKSEL18 – BuzzOcrazy!
——————————————————————-

Workshops Programme:

All workshops are free to attend.
To sign up send an email to: prod(at)piksel(dot)no
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OMSynth: DIY electronics and building audio circuits from scratch Workshop by Peter Edwards

23rd Nov
Building: SKUR14
Date: 15:00-18:00

In 2013 Peter presented the early stages of a DIY circuit building interface called the Open Modular Syntehsizer (OMSynth).

In this lecture he will share how the OMSynth has evolved from an idea to a product and how it challenges many of the established norms of DIY electronics practice. Along the way he will also discuss a call for a new standard of DIY circuit design in the post SMT (surface mount electronics) age.

Participants will build an experimental sound circuit from scratch using the OMSynth.

Peter Edwards is an American artist, musician, and teacher. He has been exploring the field of circuit bending and experimental musical electronics since 2000 through his business Casperelectronics. He performs regularly under the same name.

Edwards has performed, taught workshops and spoken on the topic of circuit bending and creative electronics at MIT’s Media Lab, Hasbro Toys, Hampshire College, Skidmore College, New York University, Bloomfield University, Long Beach University, Georgie Southern University and at new media festivals around the world including The Piksel Festival (Bergen, Norway).

Weird Signal Processing – a VGA Hacking Workshop by Wolfgang Spahn
24th Nov
Building: SKUR14
Date: 15:00-18:00

Name June Paik is known for manipulating a TV set with a magnet. One might think that after we abandoned monitor tubes the combination of TV and magnetism is gone as well. But similar techniques are still possible today by manipulating the monitor signal.

The fact that most signals used to connect devices via wires are based on electric current allows for easy hacking. For example one can manipulate the VGA video signal flow with coils and magnetic fields. The signal being similar to sound signals makes for an easy transfer to sound and vice versa. One can make a video signal hearable and display an audio signal on a monitor.

In the workshop we will process VGA signals. We learn the basic about the VGA standard and how to manipulate, mix and sonify the signal, how to amplifier, invert and add fast video signals. Every participant will build a VGA breakout board that allows easy access to the signal.

Please bring your own laptop (with a VGA connection or converter), an Arduino and or your Raspberry Pi if you have some.

Wolfgang Spahn (*1970, Austria) is a visual artist based in Berlin. His work includes interactive installations, videos, projections, and miniature-slide-paintings. After having studied mathematics and sociology in Regensburg and Berlin he founded the screen-printing-studio at Tacheles. He also managed various art projects e.g. Schokoladen Mitte and was one of the artists at Meinblau, Berlin. He currently teaches at the BBK-Berlin, Medienwerkstatt and is associated lecturer at the University of Paderborn, department of art.

International exhibitions (selection): 2000 Biennial of young Art in Genua, Italy, 2003 The Kosovo Art Gallery in Pristina, Kosovo, 2005 Biennial in Prague, Czech Republic, 2008 and 2009 Internationales Klangkunstfest in Berlin, 2009 The Art of the Overhead in Malmö, Sweden, PIXEL09 and 10 in Bergen, Norway, 2010 Biennial Of Miniature Art in Serbia, 2010 Media-Scape in Zagreb, Croatia, Transmediale 2012, Berlin.

PIKSEL BIO LAB 2018 WORKSHOPS

The Umwelt of the Forager: on Bees, pheromones and bacteria by Anne Marie Maes
23rd and 24th Nov
Building: Piksel Studio 207
Date: 15:00-19:00

The workshop -the Umwelt of the Forager- will be studying the bio semiotics of the beehive & its ecosystem. The workshop will be organized as a DYI BioLab: the starting point is the role of pheromones and the important task these signifiers play for the communication in the beehive and for the relation of the bees to their ecosystem.

Participants will be sensing the ecology of the beehive and interpret the emergence of symbols. They will be detecting the granularity of waves formed between bacterial signals and the signs emitted through invisible (bio)technologies. In several hands-on sessions the microbial sphere in and around the beehive will be studied under the microscope. Participants will prepare agar plates to culture bacteria and spores that they collect at the intersection of places, called the Umwelt of the Forager (bee). They will ‘design’ with bacteria and reflect upon shared habitats for bees and other micro-organisms.

Anne Marie Maes is an artist who has been studying the tight interactions and co-evolutions within urban ecosystems. Her research practice combines art and science with a strong interest for DIY technologies and biotechnology. She works with a range of biological, digital and traditional media, including live organisms. Her artistic research is materialized in techno-organic objects that are inspired by factual/fictional stories; in artefacts that are a combination of digital fabrication and craftsmanship; in installations that reflect both the problem and the (possible) solution, in multispecies collaborations, in polymorphic forms and models created by eco-data.

Radio Mycelium & How I Hack Plant Conversations by Martin Howse and Mindaugas Gapševičius
23rd Nov
Building: Piksel Studio 207
Date: 10:00-14:00

Radio Mycelium & How I Hack Plant Conversations
Martin Howse, Mindaugas Gapševičius
Keywords: Installation, tutorial, toolkit, experiments

The project invites us to experience interspecies communication and feedback loops between mycelium networks and their habitats, including other organisms and beings. It also proposes the examination of a new networked imaginary between electrochemical signals, digital data, and electromagnetic waves. The project invites the user to experience plant to plant or plant to fungi interaction by connecting an electronic interface and converting data from electrochemical to digital and back to electrochemical signal. Using allelopathy as a metaphor for plant interaction, the project questions the mechanism of translation of signals, which, through the number of generations are influenced by the information from outside, including its own transmitted information.

The experiments introduced in the tutorial will give an idea of how to grow mycelium, how to make electronic tools and attach them to living organisms, and how to use the tools for audiovisual expression. During the hands on session, we will do four experiments:

– Start growing mycelium on coffee grounds;
– Sense electric potentials in living organisms;
– Assemble and test the mycelial radio transmitter;
– Use built tools and a Pd patch provided for audiovisual expression.

The experiments are facilitated by Mindaugas Gapševičius.

Mindaugas Gapševičius, http://triple-double-u.com/
Martin Howse, http://www.1010.co.uk/org/

Martin Howse is occupied with an artistic investigation of the links between the earth (geophysical phenomena), software and the human psyche (psychogeophysics), proposing a return to animism within a critical misuse of scientific technology.

Mindaugas Gapševičius (b 1974) is an artist, facilitator, and curator living and working in Berlin and Vilnius. He earned his MA at Vilnius Academy of Arts in 1999 and started MPHIL/PhD program at Goldsmiths University in 2010.


PIKSEL KIDZ LAB 2018 EDITION

City GO! DIY Traffic lights of air pollution by Hamilton Mestizo
5th – 7th November – 10:00- 14:00
8th – 9th November – 14:00 -18:00
Building: Piksel Studio 207
To participate send and email to piksel18(at)piksel(dot)no

Do It Yourself Traffic lights of air pollution is an eco-design workshop for kids. Kids will be assembling “air traffic lights” that visualise the pollution in our cities. The goal is to experiment with a sensor which detects levels of Carbon Monoxide (CO) concentrations, the main gas produced by gasoline and diesel cars and go to the city and test them in the urban environment.

The project mixes artistic, environmental and social concerns and adheres to the design principles of open hardware and software: Everyone is invited to learn how the electronics and the code functions in order to be able to modify it.

Hamilton Mestizo (CDMX, Mexico)
Hamilton Mestizo explores the interfaces of arts, science and technology and their critical, ecological, and social-culturall implications. In the last decade, Mestizo has combined his artistic practice with education and research focused on open source hardware development, DIY-DIWO culture, new media and biotechnology.

City TECH! SONORATEC! en kunstlab med nye medier for barn! by Oda Bremnes (Norway), Margarita Ardila (Colombia)
12th – 14th – 10:00- 14:00
15th – 16th November – 14:00 -18:00
Building: Piksel Studio 207
To participate send and email to piksel18(at)piksel(dot)no

Sonorartec is a lab where the kids learn the basics of electronic to produce sound with drawn images, toys with lights, plastic pianos, … recycling everyday materials. What we will do? Build different devices which permit kids to experiment with leds, circuits, sound, graphics, creative writing, and much more.

Oda Bremnes (Norway) is a third year of bachelor’s degree at the Department of Art at the Faculty of Arts, Music and Design, UiB (further Art and Design College in Bergen). She is working on new media. mainly video, installation and electronics.

Margarita Ardila (Colombia)
Margarita Ardila is a Colombian maker, composer and sound researcher. Multidisciplinary artist coordinator and workshop of SONORARTEC LAB, laboratory oriented to the application of new media in the art, design, education.

City TECH! Electrotextile! Customize your clothes or accessories with LEDs! by Pauline Vierne (France)
12th – 14th – 10:00- 14:00
15th – 16th November – 14:00 -18:00
Building: Piksel Studio 207
To participate send and email to piksel18(at)piksel(dot)no

Electrotextile workshop is a practical and theoretical workshop to make, remixi and intervene your accessories and garments through the manufacture of soft and flexible electronic circuits.

The participants will approach to the concept of “wearable technologies” and to the basic notions of electronics. To this end, circuits will be prototyped and creative projects will be developed by mixing textiles and materials capable of conducting electricity.

Kids will learn to make resistances and soft switches with cloth, felt, thread for lighting or sound applications and they can customize your clothes or accessories with LEDs!

Pauline Vierne, France
Pauline Vierne completed an MA in Innovative Textiles at ENSAAMA, Paris, and works as an e-textile researcher at the Design Research Lab, Berlin University of the Arts since 2014. Using experimental design and practice-led processes, her work bridges conductive and unconventional materials using traditional craft techniques to explore new materiality.

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City go! DIY Traffic lights of air pollution. DIY Trafikklys for luftforurensning

5 – 7 november – 10:00 – 14:00
8 – 9 november – 14:00 – 18:00
For å melde deg på, send en mail til piksel18(at)piksel(dot)no

Piksel Studio 2017
Strandgaten 207, 5004 Bergen, Norway

DIY Trafikklys for luftforurensning
DIY Trafikklys for luftforurensning er en øko-design workshop for barn. Deltagerne vil sette sammen «trafikklys» som visualiserer luftforurensingen i byen vår. Målet er å eksperimentere med en sensor laget for å avlese nivåer for konsentrasjonen av karbonmonoksid (CO) i luften. Karbonmonoksid er den viktigste avfallsgassen som slippes ut av diesel- og bensinbiler. Vi drar deretter til byen for å teste sensorene i sentrumsgatene.

Prosjektet blander kunstneriske, teknologiske, økologiske og sosiale tilnærminger, og følger prinsippet om åpen teknologi, både for maskinvare og programvare. Det vil si at alle inviteres til å lære hvordan elektronikken og kodingen som tas i bruk fungerer, slik at de selv blir i stand til å modifisere den.

Hamilton Mestizo (CDMX, Mexico)
Hamilton Mestizo utforsker punktene hvor kunst, vitenskap og teknologi møtes, og hvilke lærdommer vi kan trekke av disse møtepunktene, kritisk, økologisk og sosiokulturelt. I løpet av det siste tiåret har Mestizo kombinert sin kunstneriske gjerning med utdanning og forskning, med fokus på utvikling av åpen kilde-teknologi, DIY/DIWO-kultur, nye medier og bioteknologi.


Piksel Kidz Lab er støttet av Norsk Kulturfond og Hordaland Fylkeskommune.

english

Piksel Studio 207
Strandgaten 207
BERGEN

To sign in: piksel18(at)piksel(dot)no with the subject CITY GO – DIY Traffic lights of air pollution.
Free entrance
No prior knowledge is required.
Age: 9 – 17.
Number of participants: 15.

DIY Traffic lights of air pollution.
An eco-design workshop for kids. During a week kids will be assembling “air traffic lights”. This workshop aims to visualise the pollution in our cities.

The goal is to experiment with a sensor (MQ-07) which detects levels of Carbon Monoxide (CO) concentrations, the main gas produced by gasoline and diesel cars. The project mixes artistic, environmental and social concerns and adheres to the design principles of open hardware and software: Everyone is invited to learn how the electronics and the code functions in order to be able to modify it.

We will learn how to use it with an Arduino board, participants will program a series of behaviors in colour variations that allowed us to translate the sensor signals into color changes on a RGB LED screen: red 🙁, orange: I, green 🙂.

To then assemble all the pieces inside a hand-held traffic light designed for laser cutting.

The workshop part occurs over 4 hours in which the operations of the circuit and the code will be explained while assembling the circuit. The group will then walk in order to listen to the city in a different way.

The workshop:
1.- Assembly
The assembly process is developed in three phases:
1. electronic circuit. 2. programming. 3. assembly.

2.- Electronic circuit
The electronic circuit was previously designed. Use an attiny84 microcontroller, programmed through arduino as ISP. The circuit controls the sensor, the intensity of each RGB color and regulates the electrical voltage.

3.- Programming
The program translates the mq7 sensor signal into a sensitivity range of an analog input of 0 to 1023, 0 = 10ppm (particles per million), 1023 = 10000ppm of CO in the environment. At the same time it determines in that range the color mix in the RGB screen, based on this signal.

4.- Mounting
Finally, the RGB LED screen, the power supply (battery-switch) and the container were assembled.

5.- Testing on the streets 🙂

Duration: 5 day – 15 hours
Age: 8-18 years old.
Exhibition: Piksel Studio

Hamilton Mestizo (CDMX, Mexico)

Hamilton Mestizo work primarily explores the interfaces of arts, science and technology and their critical, ecological, and social-culturall implications. In the last decade, Mestizo has combined his artistic practice with education and research focused on open source hardware development, DIY-DIWO culture, new media and biotechnology.

From 2007 to 2014 he had taught hypermedia in Film’s Department at Universidad Nacional de Colombia (2007), biotechnology and physical computing in Design and Architecture’s Department (2008-2012) and Art’s Department (2014) at Universidad Javeriana Bogota. Mestizo had worked at Parque Explora Medellín (2016-2017) where, with a multidisciplinary team, they designed and planned the program and activities at the “Exploratorio” (Public Experimentation Laboratory and Workshop). Moreover, Mestizo has involved with different private-public institutions developing strategies and counseling in pedagogy and education.

Mestizo has participated in several exhibitions and festivals worldwide, including: Siggraph Art Gallery (Los Angeles, 2017); GOSH – Gathering for Open Science Hardware (Santiago de Chile, 2017); Medialab-Prado (Madrid, 2016); Rural Scapes Exhibition (Brasil, 2015); Festival Internacional de la Imagen ( Manizales, 2015); Fundación Platohedro (Medellín, 2015); Centro de Cultura Digital CCD (México, 2014); ISEA sur-south – International Symposium of Electronic Arts (Sydney, 2013); Balance-Unbalance Conference (Noosa, 2013); Maker Fair London (London, 2013); Pixelache (Helsinki-Tallinn, 2013); Plataforma (Bogotá, 2012); Labsurlab ( Quito, 2012); Culturadigital (Rio De Janeiro, 2011); Deus Ex Media (Santiago, 2011); Interactivos?10:neigburhoodscience Medialab-Prado (Madrid, 2010); VIDA Art and Artificial Life International Awards (Spain, 2007), among others venues.

Piksel Kidz Lab er støttet av Norsk Kulturfond og Hordaland Fylkeskommune.

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City Tech – Elektrotekstil! Utsmykk klærne og tilbehørene dine med LED-lys!

12 – 14 november – 10:00 – 14:00
15 – 16 november – 14:00 – 18:00
For å melde deg på, send en mail til piksel18(at)piksel(dot)no
Alder: 10-18 år.

Piksel Studio 207
Strandgaten 207
BERGEN

Elektrotekstil! Utsmykk klærne og tilbehørene dine med LED-lys!

Elektrotekstil workshop er en praktisk og teoretisk workshop hvor du lærer å skape og utsmykke klær og tilbehør ved å fremstille myke og fleksible elektriske strømkretser.

Deltagerne vil bli kjent med konseptet «teknologiske klær», og innføres i grunnleggende elektronikk. Vi vil sette sammen elektriske strømkretser fra grunnen av, og vi vil lage kreative prosjekter hvor vi utstyrer klær og tilbehør med materialer i stand til å bære elektrisitet.

Barna vil lære hvordan man kan bygge elektrisk resistans og myke av/på-knapper inn i stoff, å lage strømførende tråder for lys- eller lydinstallasjoner, og hvordan man kan utstyre klær og tilbehør med LED-lys!

Pauline Vierne, France

Pauline Vierne har en master i «innovative tekstiler» fra Frankrikes ledende kust- og designutdanning, ENSAAMA i Paris, og har siden 2014 arbeidet som forsker på e-tekstiler ved Design Research Lab på Kunstuniversitetet i Berlin. Arbeidene hennes kjennetegnes av at hun kombinerer strømførende og ukonvensjonelle materialer med tradisjonelle håndverksmetoder i jakten på nye materielle uttrykk.


Piksel Kidz Lab er støttet av Norsk Kulturfond og Hordaland Fylkeskommune.


english

Piksel Studio 207
Strandgaten 207
BERGEN

Email to piksel18(at)piksel(dot)no with the subject Electrotextile – CITY TECH
Free
Ages: from 8 to 18 years old.

Gratis verksted for barn/unge i alderen 8-18 år

Electrotextile workshop is a practical and theoretical workshop aimed at the making, remixing and intervening of accessories and garments through the manufacture of soft and flexible electronic circuits.

The participants will approach to the concept of wearables or “wearable technologies” and to the basic notions of electronics. To this end, circuits will be prototyped and creative projects will be developed by mixing textiles and materials capable of conducting electricity.

Kids will learn to make resistances and soft switches with cloth, felt, thread for lighting or sound applications and they can customize your clothes or accessories with led light.

Using the learning methods Do It Yourself (DIY) and Do It With Others (DIWO).

Pauline Vierne, France
Pauline Vierne completed an MA in Innovative Textiles at ENSAAMA, Paris, and works as an e-textile researcher at the Design Research Lab, Berlin University of the Arts since 2014.

Using experimental design and practice-led processes, her work bridges conductive and unconventional materials using traditional craft techniques to explore new materiality.

Having one foot in academic research and the other within the international community of the E-textile Summercamp gives Pauline a complex perspective on directions and tendencies currently present in the e-textile field.

Piksel Kidz Lab er støttet av Norsk Kulturfond og Hordaland Fylkeskommune.

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City-Tech: SONORATEC! By Margarita Ardila/Oda Bremnes

12 – 14 november – 10:00 – 14:00
15 – 16 november – 14:00 – 18:00
For å melde deg på, send en mail til piksel18(at)piksel(dot)no
Gratis verksted for barn/unge i alderen 4-14 år

Piksel Studio 207
Strandgaten 207
BERGEN

SONORATEC er en lab hvor barna lærer seg grunnleggende elektronikk for å kunne skape lyd til tegnede bilder; leker som lyser; plastpianoer… alt bygget av gjenvinnede materialer.

Hva kommer vi til å gjøre?
Bygge forskjellige innretninger som lar barna eksperimentere med ledlys, strømkretser, lyd, grafikk, kreativ skriving og mye mer.

Margarita Ardila (Colombia)
Margarita Ardila er en colombiansk filmskaper, komponist og lydforsker. Hun er en multidisiplinær kunstner og grunnlegger av workshopen SONORATEC LAB, som fokuserer på bruken av nye medier i kunst, design og utdanning.

Oda Bremnes (Norway)
Oda Bremnes er I si tredje år av bachelorutdanning ved Institut for kunst ved Fakultet for Kunst, Musikk og Design, UiB (udligere Kunst- og designhøyskolen I Bergen). Hun jobber med nye medier. hovedsaklig video, installasjon og elektronikk.

Sonorartec is a lab where the kids learn the basics of electronic to produce sound with drawn images, toys with lights, plastic pianos, … recycling everyday materials. Building different devices which permit kids to experiment with leds, circuits, sound, graphics, creative writing, and much more.

Margarita Ardila, Colombia

Margarita Ardila is a Colombian maker, composer and sound researcher. Multidisciplinary artist coordinator and workshop of SONORARTEC LAB, laboratory oriented to the application of new media in the art, design, education. Emerging, independent and self-managed space interested in sharing and disseminating DIY and DIWO dynamics. Currently developing the project LAPIZ VOLTAJOSO activity mixing electronics and creative writing.


Piksel Kidz Lab er støttet av Norsk Kulturfond og Hordaland Fylkeskommune.

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  • 🌩️ Join us for one last Stormy Thursday!🌩️📅 Date: 21st March🕔 Time: 17:00-20:00📍 Location: Piksel Studio, Strandgaten 207Get ready for an evening packed with engaging discussions and knowledge exchange at Piksel Studio. Our team will unveil exciting updates on our IDLE Cyber Salong, now adorned with captivating interactive instruments!Images from IDLE cyber salong and previous Stormy Thursdays Don't miss out! See you there! 👋

    20 March 2024 @ 11:56 am

    Our friends from Lifepatch in Yogyakarta needs help to rebuild their roof that has collapsed due to termite damage and heavy rains.
    https://lifepatch.id/Lifepatch_roof_collapsed

    1 March 2024 @ 2:21 pm

    🌟 Friendly Reminder: Get ready for another exciting Stormy Thursdays this week! 🌪️ Join us as we look at Hydra, learning how to wield its powers with any MIDI controller or keyboard. 🎹🕹️ https://hydra.ojack.xyz/ Plus, we will look at controlling a Praxis Live project using a MIDI keyboard.As always, there'll be dedicated time to work independently on your own projects.See you Thursday, 29/2 at Studio 207, Strandgaten 207, from 17:00-20:00. #PikselFest #StormyThursdays

    29 February 2024 @ 11:16 am

    🌩️ Stormy Thursday`s at Studio 207! 🌩️Join us today for yet an exciting edition of Stormy Thursdays! James will be giving a short demo of the game he's currently crafting; Wee boats, starring Beffen. With lots of cool open-source tools to highlight, it looks to be an interesting evening! 🎮✨
    📅 Date: Today 22.02-24🕔 Time: 17:00 - 20:00📍 Location: Studio 207, Strandgaten 207
    #StormyThursdays #PikselFest #GameDemo #OpenSourceMagic #Studio207

    22 February 2024 @ 3:43 pm

    PIKSEL Kidz Lab 2024 – Plants & Soft Sensors / LIVE CODING
    21st and 25th MayDiscovering Plant Magic: A Sensory Adventure with Soft Sensors for KidZ
    29th – 31st MayCreate your own show with live coding visuals. LIVE Coding!
    https://piksel.no/2024/02/15/piksel-kidz-lab-2024-plants-soft-sensors-live-coding

    15 February 2024 @ 10:30 am

    Stormy ThursdaysEach Thursday for the upcoming weeks, Piksel are hosting a series of workshops, creating a space for exploration, creativity and community. Anyone intrigued by the intersection of art and technology are welcome to join, interact, share and work on own projects and ideas.
    The workshops takes place each Thursday from 17:00 – 20:00 at Studio 207, Strandgaten 207.
    More info: https://piksel.no/2024/01/14/stormy-thursdays-open-workshopsWe also have a Discord meeting room: https://discord.gg/QyK9Apyq

    24 January 2024 @ 9:21 pm

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