PIKSEL

Lyq – a newly released  Google Chrome Extension by Kentaro Fukuchi.

Lyq: Leak Your Query
– Know What Google Knows –

Lyq (Leak Your Query, pronounced as leak) is a micro “unintentional” blogging tool that tweets (leaks) what you’ve searched automatically. It is a Google Chrome Extension, and after you’ve installed Lyq, it discloses your search query every your search query at various search services such as Google or Bing. Everyone can know what information you needed, where you wanted to go, or what you thought, what previously only your search services could know.

Do NOT use this extension unless you know what you are doing with it. You will face serious security risks.

For further information, go http://megaui.net/fukuchi/works/lyq/index.en.html
See http://twitter.com/kentaro_search for what Lyq tweets and what Kentaro  searched.

Perte de Signal :: Rustines | Lab (Montréal, Canada)
Open call – Open Source research residency

*December 1st :: Open Source research Residency :: Rustines|Lab*

Workshop, residency centre, and venue for dissemination, Rustines|Lab is a creative research-creation lab dedicated to supporting media arts, new media, and audio art projects. The lab’s primary purpose is to provide our community with a place to connect with various actors and
practitioners in both local and international contemporary art scenes. It is also devoted to providing emerging artists with production spaces,
technical resources, and programs for research-creation to assist in the production of performance and installation projects. (continue reading…)

A10lab, Area10, Apo33, Noise=Noise, Beyond Signal, Fibrr Records &
Sound Research Practice, Goldsmiths presents:

RAINFOREST IV – DAVID TUDOR

“a collaborative environmental work, spatially mixing the live sounds
of suspended sculptures and found objects, with their transformed
reflections in an audio system. ”

STREAMING NOW

During 2 days, if you couldn’t join us, you could listen at us :
http://stream.r23.cc:2323/rainforest.mp3.m3u

and tomorrow even watch the whole installation 🙂
http://stream.r23.cc:2323/rainforest.ogg.m3u (continue reading…)

ad undas
http://noemata.net/adundas/

AD UNDAS is a social network service using the sea as medium. The
network uses messages in bottles as the main communication. More than
connecting and interacting with other people, as in Facebook, MySpace,
Twitter, LinkedIn, etc., ad undas aims at a dislocation of
representation (people, time, space), and an uncycling of events, as a
breakthrough from semi-closed web circuits towards a widening
perception of communication and state of affairs, expressed in the
three-fold strategy of listening, gleaning, and littering. (continue reading…)

Pall Thayer has  published a short text to help non-coders along in developing a  conceptual appreciation of programming code in coded artwork. It uses Microcodes as examples.

Get it here:

http://pallit.lhi.is/microcodes/MCprimer.pdf

The primer is also accessible from the Microcodes website.

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OpenLab 5 : Cafe OTO, 25th April 2009
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Openlab are providing a day of workshops & presentations about
opensource software, and performances in the evening at Cafe OTO,
Dalston. There is a venerable lineup of OpenLab members providing some
in depth knowledge during the day and some great performances at
night. The preliminary line up goes like this:

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(continue reading…)

Tools to Fight Boredom: FLOSS and GNU/Linux for Artists Working in the Field of Generative Music and Software Art. New Article by Marloes de Valk.

This article takes a look at the impact the operating system, programming languages and software, as a whole, have on the practice of artists working in the field of generative music and software art.
Proprietary operating systems lack the openness needed to create an environment that fulfills the specific needs of artists and musicians who program and programmers who produce art and music. “Hackability”,
the possibility to take things apart, modify, adjust, and improve, is an ever more important aspect that software artists and electronic musicians seek to include in their production environment. GNU/Linux and Free/Libre/Open Source Software (FLOSS) possess this feature, and many more, providing artists with a truly creative and open environment, free of unnecessary technical limitations, predetermined interaction, lack of control over the work environment and dependence on software companies.

The article has been published in Volume 28, Issue 1, 2009 of the Contemporary Music Review journal. This issue, “Generative Music”, has been edited by Nick Collins and Andrew R. Brown. It features other articles from Karen Collins, Andrew R. Brown, Andrew Sorensen, Robert Rowe, Palle Dahlstedt, Margaret Schedel, Alison Rootberg , Paul Berg and Nick Collins.

You can purchase the journal here:
http://www.informaworld.com/smpp/title~content=g909058006~db=arts
or preview the article online on Marloes’ website:
http://no.systmz.goto10.org/tools-to-fight-boredom.html

Liwoli 2009
hacklab for art and open source
23 – 25 April 2009 – Kunstuniversität Linz

—

Liwoli 2009 is a three day long Hacklab and an open invitation to all who would like to participate in an active process of learning, producing and sharing around the areas of Free/Libre Open Source Software and Art.  FLOSS developers, artists and programmers such as the collective GOTO10 or activists from HAIP (Hack Act Interact Progress) and many others form the basis for the event and share their knowledge in the form of workshops, hacklabs, presentations, installations and performances.

(continue reading…)

APO33 RADIOS

good news! Almost all APO33 radios are back!!

You could listen it now with great players such as VLC, Mplayer, xmms…etc (Ogg Vorbis audio streaming)

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(continue reading…)

AROUGATE – APO33 INSTALLATION- PIKSEL FESTIVAL – BERGEN 2007 from apo33 on Vimeo.

Arougate is an installation that involves the environnement of the space he is invited to hunt in.

Arougate is a digital beast who hunts information, tracks it, feeds on it, and generally reacts to it. Arougate behaves like a wolf when he eats his ‘preys’ ; no one can disturb him without consequence; the combination of a machinic system with the poetic-modelisation of animal reactions creates an uncontrollable noise activity in a specific place.

Arougate is composed of audio, video, data sensor extensions which enable him to hunt in any situation; the bestial mechanism operates fast interactions on the hunted information which is then divided into two layers: the digestive mechanism of the beast’s digital belly and his swift reaction to hunting in a dangerous steppe. The outcome of these interactions is redistributed in space with the help of video & audio signals, spatialized by different devices (speakers, TV radios, wall projection…etc).

When people invade the digital den, they enter simultaneously the beast’s belly and mind, or rather, a strong chaotic mixture of wires (electrical, networked, metal…etc), speakers, machines (nuxbox), radios and others unexpected objects, where vibrations (light and air) come to crash!

Pall Thayer’s Microcodes are short code art pieces written in Perl and presented on a website for viewers to read, download, and execute. Each code piece encapsulates tasks performed by artworks such as portraiture or memento mori. They follow on from Thayer’s earlier “Exist.pl”, which allegorized life, death and being using running Perl code.

This is a Romantic use of code, a projection of human experience onto mere material existence. Processes become lives or individuals, network sockets become voices or eyes. And in a Nietschean twist some of the code can be genuinely destructive for data. But it works the other way round as well, demonstrating that meaning can be found in or recovered from mere processes.

The program listings are presented on a modern, neutrally styled, website for download and execution. The code is licensed under the GNU GPL version 3 (or later), so everyone is free to use, study, modify and redistribute it. The use of the GPL should be a given for code art, but far too many artists are happy to take the freedom that they are given by other hackers and not pass it on. Thayer deserves credit for doing the right thing.

more on Furtherfield…

Kaos -aka- Rosencrantz & Guildenstern in Hell from Federico Bonelli on Vimeo.

No budget short film, shot in less than a week -from casting to viewing- in Bergen Norway during piksel 2007 festival by August Black and Federico Bonelli.

Rosencrantz & Guildenstern seems to have a trip downward to Hell and they have to deal with various tests: a strange mixture of visual riddles, masked quotes from Discordian texts and viking sagas, bureaucratic definition of chaos… and nothing you see is there without a reason!

Is a proof of concept because is conceived to be shot, edited and post-produced only with free software and recycled hardware. The camera, an old Sony mini DV was bought for 50 euros from someone that thought was broken…

The local cast of actors is amazing and the atmosphere dark and tense with surreal tones. Dialogues are in norwegian and you can find subtitles in english, spanish and italian free to download from http://www.cinemasolubile.net

The film is released under creative commons licence